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The Great Wave: spot the difference Share the page By Capucine Korenberg, Scientist Publication date: 10 May 2020 Scientific researcher Capucine Korenberg zooms in on Hokusai's world-famous wave and explores how subtle changes in the impressions and design can tell us about the making of this masterpiece. The Great Wave: spot the difference
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This is the famous wave painting by Japanese artist Katsushika Hokusai, titled The Great Wave off Kanagawa in English. The painting is also dubbed as just The Great Wave.
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Thirty-Six Views of Mount Fuji: The Great Wave Off the Coast of Kanagawa (Edo period, 19th century) by Katsushika Hokusai Tokyo National Museum. Hokusai was one of the great masters of ukiyo-e printing, which means "pictures of the floating world". Artists of this school made striking, colorful prints of life in 18th and 19th century Edo.
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Titled Under the Wave off Kanagawa (Kanagawa oki nami ura), it is known as simply The Great Wave. With its bold linear design, striking juxtapositions, and simple use of color, The Great Wave is one of the most compelling images of Japan's tallest peak (and still-active volcano).
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It is known simply as the Great Wave. It portrays a rogue wave menacing three boats off the coast while Mount Fuji rises in the background. Katsushika Hokusai, Under the Wave off Kanagawa, Thirty-six Views of Mount Fuji, ca. 1830-1832, The Metropolitan Museum of Art, New York, NY, USA.
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July 2, 2014 John T. Carpenter, Mary Griggs Burke Curator of Japanese Art, Department of Asian Art Katsushika Hokusai (Japanese, 1760-1849). "Under the Wave off Kanagawa ( Kanagawa oki nami ura )," also known as "the Great Wave," from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), ca. 1830-32.
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The Great Wave off Kanagawa ( Japanese: 神奈川沖浪裏, Hepburn: Kanagawa-oki Nami Ura, lit. 'Under the Wave off Kanagawa') [a] is a woodblock print by Japanese ukiyo-e artist Hokusai, created in late 1831 during the Edo period of Japanese history.
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The Great Wave off Kanagawa is a yoko-e (landscape-oriented) woodblock print created by Japanese artist Katsushika Hokusai during the Edo period. It is the first piece in Thirty-six Views of Mount Fuji, a series of ukiyo-e prints showing Japan's tallest peak from different perspectives.
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The Great Wave is a visually dynamic print with fully saturated blues and extraordinary contrast. Spectroscopic analysis shows that to achieve this, the printers did not simply substitute the exotic Prussian blue for the traditional (and duller) indigo.
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The Great Wave by Hokusai | The Art Institute of Chicago CC0 Public Domain Designation Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)" 1830/33 Katsushika Hokusai 葛飾 北斎 Japanese, 1760-1849
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The energetic and imposing picture The Great Wave (Kanagawa Oki Nami Ura) is the best-known work by Japanese artist Hokusai Katsushika (1760-1849), one of the greatest Japanese woodblock printmakers, painters and book illustrators.
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Katsushika Hokusai | Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) | Japan | Edo period (1615-1868) | The Metropolitan Museum of Art The Collection Asian Art
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While most people instantly recognize The Great Wave off Kanagawa, some may not know anything about its eccentric creator, Katsushika Hokusai.Having produced a colossal volume of around 30,000 works during his lifetime, The Great Wave woodblock print wasn't produced until 60 years after he first started creating art. The illustration of a crashing wave, three boats, and the peak of Mount.
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Why the Iconic Great Wave Swept the World. The famous woodblock print has been used as an emblem of tsunamis, hurricanes, and plane crashes into the sea. Co-published with Zócalo Public Square.
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Foreigners were expelled, Western culture was forbidden, and Entering or leaving Japan was punishable by Death. It would remain that way for over 200 years The Great Wave of Kanagawa by Hokusai was made around 1830, it was a time when the rest of the world was becoming industrialized and the Japanese were concerned about foreign invasions.